野地之芳

Identity and Body: Interpenetration and Borders of Collective and Individual Writing in Taiwanese Contemporay Aboriginal Arts 林育世 1 LIN, Yu-Shih 摘要 一九九〇年代之後台灣原住民當代藝術創作勃發的時代背景，最重要的內在性因素來自一九八〇年代之後台灣原住民的文化主體性意識的逐步建構。然而，以原住民文化為主體觀點的「自我書寫」，其內在的權力結構為何？迄今廿年來，原住民當代藝術書寫中主體意識的建構，係逐步解構了霸權，抑或催生了新的文化霸權？本文試圖從台灣原住民當代藝術創作的主體意識書寫類別，分析文化權力場域中大我書寫與小我書寫的內涵。 Abstract The most important internal factor of the blooming of Taiwan contemporary aboriginal arts after 1990 is the construction of consciousness of cultural subjectivity of Taiwanese aboriginal peoples in 1980s. However, what would be the internal power structure in this “self-writing” based on the point of view of cultural subjetivity? The gradual construction of consciousness in Taiwanese contemporary aboriginal arts in this past 2 decades, is it a deconstruction to cultural hegemony? Or could itself be an initial hegemony? We try to analyse, in the limit of the field of cultural power, the contents of collective writing and i